Caumont Interiors
Designer
Bruno de Caumont
I made the choice to become an Interior Designer because I wanted to affirm my taste and respect for traditional knowhow, but especially so as to defend the concept of modern luxury, which embodies precious materials and the purity of form.
Whilst the inspiration for all my creations were the result of a reflection on the Decorative Arts since the end of the 18th century, all of my designs are a true celebration of the 21st century, faithful to modern materials and lines without forgetting a classic and elegant root.
Whether it be exceptional furniture or the design and furnishing of spaces, each is created in workshops where manual work always replies to very strict rules, and with teams of qualified craftsmen who strive for excellence.
Savoir-faire
En Laque
An integral proponent of Bruno de Caumont's handmade work is of course his use of traditional lacquer. Traditional lacquer is made in China, Japan and Vietnam. After detailed study into its history and the appearance of the art form in Europe, Bruno de Caumont discovered a passion for the popular technique after a visit to Vietnam in 2005 at the invitation of a friend.
When the wooden frame is finished, two layers of silk are arranged weft reversed to maintain and resist alterations in the wood due to temperature and humidity changes. Then layers of lacquer are applied one by one, sanded then polished before another layer is added, needing 3 to 5 days to dry before another layer is added.
The finished product feels like velvet, only harder and is natural and delicate, yet modern and strong. Caumont Interiors utilizes 24 lacquer colours in its pieces.
Production
Production Process
Since its very first designs, Bruno de Caumont oversees the development of his furniture, from drawings to manufacture. Rugs, tiles, furniture, ceramic and Interiors design — it all starts with a study: from an idea stems a series of sketches until both designer and customer judge one satisfactory.
Working hand in hand throughout the production process, designer and craftsmen make an original and outstanding work: opulent rugs made in India according to ancestral traditions, custom-made furniture with pure and elegant lines, unique encaustic tiles with modernized traditional designs. Each original product can be adapted to suit the tastes and preferences of customers.
Normally my first impression is the right one. A whole place take me one night's thought, maybe two, to figure out. If you take any more time, you loose your nerve.
I have a real respect for decorative periods and would never completely dissect something from its roots, but I like to imagine a different framework. Thus, I make no concession to mediocrity.
You shouldn't be able to see the signature of the interior designer when you step into a space, but get surrounded by atmosphere only. It's also crucial that the architectural spirit of the building is first respected, then enhanced.